Il Perugino

Edited by Brunetto Giovanni Brunetti, Claudio Seccaroni and Antonio Sgamellotti
THE PAINTING TECHNIQUE OF PIETRO VANNUCCI, CALLED
IL PERUGINO

Perugino’s Certosa di Pavia Altarpiece: new technical perspectives

Perugino’s painting materials: analysis and context wighin sixteenth-century easel painting

Four anomalous pigments in Perugino’s palette: statistics, context, hypotheses

Comments on the technique and the materials used by Perugino, through the study of a few paintings in French collections

The laser profilometry technique: an application for characterising the tools used to apply gesso ground to some panel paintings by Perugino

IR-colour scanning reflectography

The myth of cartoon re-use in Perugino’s underdrawing: technical investigations

The Madonna in Glory with Saints at the Pinacoteca Nazionale of Bologna

Perugino’s technique in the Sistine Chapel: analysis of the pentimenti

Perugino’s technique in the Sistine Chapel: scientist investigations

Bibliography

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